From the Wall, No. 1
Three pieces from the studio's inspiration loop, credited to the people who made them.
There is a TV in this studio that plays the best 3D motion work on Earth, on a loop, all day. We call it the wall. It is a hand-curated collection of the studios and artists we have chased our whole careers, and it exists for one reason: to keep the bar visible while we work.
From the Wall is where some of those picks get shared. House rule: every piece is embedded from its maker's own channel, credited and linked, so the views and the follows land where they belong. If something here stops you the way it stops us, go subscribe at the source.
Louis Vuitton: Myriad · Already Been Chewed
A piece of liquid glass drifting through a sunset, and somehow it is unmistakably Louis Vuitton before the type ever lands. ABC has been a masterclass in product motion for years, and this is that muscle at luxury scale: the material does the brand's talking, and every refraction is on message.
Credit: ALREADY BEEN CHEWED on YouTube
The Last of Us, Main Title Sequence · Elastic
Growth systems as dread. The fungal structures bloom and creep with so much intent that the titles carry the whole tone of the show before a single scene plays. It is a masterclass in letting a material give the performance.
Credit: Elastic on Vimeo
Ant-Man and The Wasp: Quantumania, Concept R&D · Panoply
Concept exploration Panoply did for the Quantum Realm: alien coral, electric fur, growth systems that read grown instead of built. R&D like this almost never gets shown publicly, which is what makes it a gift. You are watching a top studio think out loud, and the thinking is this beautiful.
Credit: PANOPLY on YouTube
More soon. The wall never stops playing.